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work

Heritage Activism

Vanished Homes

Vanished Homes

Arch & Pillar is She

Arch & Pillar is She

Architectural Identities of the Berengaria Project

Architectural Identities of the Berengaria Project

The Berengaria Project Exhibition

The Berengaria Project Exhibition

The Berengaria Project – “Subjection & Defiance”

The Berengaria Project – “Subjection & Defiance”

Scattered Domes –
“Ακάμαντος, Ακάμωτος, Άκαος”

Scattered Domes –
“Ακάμαντος, Ακάμωτος, Άκαος”

1 Border – 2 Rusty Bumpers –
3759mm Yellow Bridge*

1 Border – 2 Rusty Bumpers –
3759mm Yellow Bridge*

Worship Container

Worship Container

Peep Hole Line

Peep Hole Line

Green Line Series

Green Line Series

DOTing Series

DOTing Series

Heritage Education

The Berengaria Creative Workshops

The Berengaria Creative Workshops

The Berengaria Exhibition

The Berengaria Exhibition

Glyn Hughes

Glyn Hughes

The magnitude and deceptive simplicity of Yianna Tsolaki’s vision for applying a ‘critical heritage’ perspective to our colonial paradoxes and realities, is astonishing, and this subtle and generous testing out of various creators’ processes and suggested tools, is invaluable

Chrystalleni Loizidou, Art Historian & Cultural Studies Scholar
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